KARACHI          -           The second day of the 11th Karachi Literature Festival (KLF), which is being organised by the Oxford University Press (OUP), was again an affair full of invigorating discourses and vibrant performances.

The day started off with an informative workshop held on ‘Media Literacy and Misinformation’ conducted by Sabrina Toppa, an award winning US journalist based in Pakistan.

William Dalrymple, a renowned historian, made a presentation on the book, “Forgotten Masters: Indian Painting for the East India Company” that has been edited by him.

Following this session, there was a conversation on ‘Aurton kay Takhleeqi Shaoor say Inkaar Kiyun?’ between Zehra Nigah and Arfa Sayeda Zehra. This was followed by readings from Hijabistan by Sanam Saeed, along with a discussion between Sabyn Javeri, Sanam Saeed, and Saima Saleem. The session, titled, ‘The Deepening Crisis of the Middle East’, featuring Ahdaf Soueif, Massimo Ramaioli, Shahid Amin and Zafar Hilaly as panelists, particularly attracted the attention of the audience.

Around 10 books were launched on the second day of KLF, including The Anarchy: The Relentless Rise of the East India Company by William Dalrymple; On Their Own Terms: Early Twenty First Century Women’s Movements in Pakistan by Fouzia Saeed; Transgressions: Poems Inspired by Faiz Ahmed Faiz by Anjum Altaf; Tooti hui Tanab Udhar by Asghar Nadeem Syed; Subjective Atlas of Pakistan by Taqi Shaheen and Annelys de Vet; Interpretations of Jihad: An Intellectual History by Tariq Rahman; and Zair e Aasman by Shahid Siddiqui.

A discussion on Love, Relationships and Muslim Women’s Writing took place between Claire Chambers, Muneeza Shamsie, David Waterman and Sabyn Javeri, and it was moderated by Ilona Yusuf.

Dastangoi by NAPA featured pieces from Marhoom ki Yaad Mein by Patras Bukhari, Zikr-e-Khooban al Maroof Aurat ki Takhleeq by Mir Baqir Ali and Fasana e Azaad by Pandit Ratan Nath Sarshar. Tehrik-e-Niswan presented an enactment of Ismat Chugtai’s short story ‘Kaafir’ promoting interfaith harmony with an introduction by Sheema Kermani.

A discussion on the book, Prison Interlude: The Last Eyewitness Account of the Rawalpindi Conspiracy Case, by Zafarullah Poshni was also held on the second day of KLF. The speakers were Zafarullah Poshni, Mazhar Abbas, Kamal Azfar and Wusatullah Khan, while the moderator was Owais Toheed.

Kishwar Naheed and Noorul Huda Shah were in conversation on Khawateen ka Mazahimati Adab in latter half of the day. ‘Drop by Drop: Karachi’s Water Crisis’ was another important session held with Farrukh Rasheed, Babar Siddiqui, Wusatullah Khan and Khalid Shaikh as speakers.

A panel discussion on the poetry of Noon Meem Rashid titled, ‘Nazm-e-Azad, Shayar e Azad’ included Pirzada Qasim, Asghar Nadeem Syed, Nasim Syed, and Khalid Ahmad as speakers and Mujahid Barelvi as the moderator.

A discussion by Sharif Awan and Athar Masood was held on the topic ‘Traditional Music on Modern Media: Is there a Symphony in this Noise?’

In line with the theme of this year’s festival, an enlightening discussion took place on ‘Shumali aur Lateeni Amreeki Adab Pakistan Mein’. It featured Nasim Syed, Nasir Abbas Nayyar, and Syed Kashif Raza as panelists.

Other stimulating sessions that took place include ‘Indus Flows: Poetry, Mysticism, and Romance’ and ‘The Political Character of Pakistani Middle Class’. A session on Performance Poetry called ‘The Spoken Word’ was presented by young poets, Annum Salman, Vaneeza Sohail, Shehrbano Naqvi, Shameneh Majid, Zoha Jabbar, Hamza Iftikhar, Zain Baweja, and Batool Hassan.

Screening of award-winning films of the 2019 EACPE video competition was presented by Getz Pharma.

The film submissions were on the theme, ‘Is Pakistan a Brave Nation?’

Screening of the feature film Baaji directed by Saqib Malik attracted a huge number of film lovers. A musical performance by ACMA band, presented by the Arts Council of Pakistan, marked the end of the second day of the event.